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The
Best of French Film Comedy
| It is said that
you can gauge the health of a nation by the capacity of its people to laugh
at themselves. Comedy is mankind's way of dealing with the problems
that life throws in its path - small things like wars, plague, famine,
dental surgery and that impending visit from the mother-in-law. Evidently,
a nation that knows how to laugh is more likely to thrive than one that
does not. As W.C. Fields might have said (but probably didn't), life
is far too important to be taken seriously. Slapstick, farce, sarcasm,
innuendo and self-mockery - the raw elements of comedy - are actually a
fundamental part of the human psyche. No wonder then that we all
enjoy a good film comedy. If French cinema is anything to go by,
France would seem to be one of the most civilised nations on Earth.
Since the birth of cinema, comedy has occupied
a pre-eminent position in French cinema. Is it such a surprise that
the six French films to have achieved a French cinema audience greater
than 10 million were all comedies? Today, comic films tend to be
the most popular in France, achieving far higher returns than all other
genres.
But how wide appeal do French comic films
have outside France? Although some of the biting satire may
lose its edge, there is a lot we can identify with. Much comedy stems
from the simple observation that things always seem to go wrong, that a
slice of toast will invariably land on the carpet butter-side down five
minutes after an expensive firm of carpet cleaners have washed it.
This is something we can all we relate to because, from the moment we are
aware of the world around us, we know for sure that it is out to get us.
It is this which forms the basis of most French comedy.
There are of course some cultural specific
elements to French comedy, and this adds greatly to its charm. For
one thing, the French absolutely hate authority - not surprisingly after
the humilities they suffered under the Nazi Occupation and the latest Chirac
administration. Policemen, soldiers, civil servants, politicians,
managers... basically anyone in a uniform or power suit is a legitimate
target for the vile wit of screenwriters of French comic films.
The quality of French comedy rests ultimately
in the hands of its performers, and here French cinema has been particularly
fortunate. The music hall gave French cinema its first comic stars,
and this tradition continues with each succeeding generation. Fernandel,
Bourvil, Louis de Funès, Jacques Tati and Coluche are comic giants
who have acquired a legendary status in France (although Tati alone has
achieved international fame). Today's generation of comic actors
have a lot to live up to but recent box office hits such as Astérix
& Obélix: Mission Cléopâtre show that French
comedy continues to thrive and will remain an essential part of French
cinema.
Having well and truly whetted your appetite,
here are a selection of the greatest French film comedies, films that are
guaranteed to blow away the storm clouds and make life just a little bit
more bearable... |
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René
Clair (1927) |
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René Clair (1931) |
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René
Clair skilful transposition of Labiche’s play from the 1850s to the 1890s
makes for one of the greatest comic farces of the silent era. A sublime
piece of visual comedy.
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An
extravaganza of burlesque comedy and the forerunner of the Hollywood film
musical, Le Million was a triumph for the era it was made in and
remains an enduring popular classic of French cinema.
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René Clair (1931) |
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Marcel Carné (1936) |
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Technology
enslaves man but ultimately it will free him, a Utopian vision which underpins
this outrageous comic farce. Arguably René Clair's best film,
and an inspiration for Chaplin.
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The
most bizarre work from the fruitful Carné-Prévert partnership
is this extraordinary black comedy, where the entire cast appears to have
been made up from inmates of a lunatic asylum.
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Jacques Tati (1948) |
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Claude Autant-Lara (1951) |
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Jacques
Tati's first full-length film is this hilarious portrayal of provincial
life. The wealth of visual jokes establish Tati as a genius of comedy,
on the same level as Chaplin and Keaton.
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Fernandel
gives one of his best performances in this witty black comedy. For
some reason, the Catholic Church was not amused by this portrayal of priests
as self-serving hypocrites.
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Jacques Tati (1953) |
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Georges Lautner (1963) |
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Brilliant,
sheer brilliant. There is not much else you can say about this sublime
comic masterpiece - other than to add that Tati's performance as M. Hulot
is the stuff of legend.
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The
best of Georges Lautner's comic parodies of the French crime thriller unites
Lino Ventura and Bernard Blier as you have never seen them before, with
tongue firmly in cheek.
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Gérard Oury (1965) |
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Gérard Oury (1966) |
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Director
Gérard Oury struck the jackpot when he got Louis
de Funès and Bourvil to appear in this lavish comic farce.
Replete with visual jokes, this has become a classic of French cinema.
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Comic
giants Bourvil and Louis de Funès join forces with Terry-Thomas
in this extravagant WWII comedy. With 17 million spectators, it remains
the most popular film made in France.
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André Hunebelle (1966) |
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François Truffaut
(1968) |
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The
best of the three 1960s Fantômas films sees Louis de Funès
pitted against Jean Marais for the last time. In his dual role, as Fandor
and the green-skinned Fantômas, Marais became a cult icon.
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For
the third installment of his semi- autobiographical Antoine Doinel cycle,
François Truffaut offers us this delightful portrait of young love.
A tender, witty, ironic and utterly charming film.
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Gérard Oury (1971) |
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Gérard Oury (1973) |
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Yves
Montand makes life Hell for Louis de Funès in this spectacular historical
comedy. The jokes are good but they don't quite match up to the film's
stunning production values.
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If
you are going to poke fun at Jewish culture, do it well. Avoid all
clichés, and do not get Louis de Funès to send up orthodox
Jews. This film breaks all the rules but still manages to be hugely
funny and inoffensive.
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Luis
Buñuel (1972) |
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Edouard Molinaro (1978) |
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The
most celebrated and outlandish of Buñuel's
no holds barred assaults on the French middle-classes is a masterpiece
of surrealist comedy.
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Based
on a hit stage play, this was one of the funniest French films of the 1970s.
With outrageously camp performances, it became a cult film in both France
and the US.
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Jean Girault (1979) |
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Bertrand Blier (1979) |
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France's
response to Spielberg's Close Encounters of the Third Kind?
One film had state of the art special effects and a colossal budget, the
other had Louis de Funès. Now, which is the funnier film?
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This
bizarre black comedy is one of the most popular films from Bertrand Blier,
a true maverick of French cinema. Some great acting makes this a
compelling surreal masterpiece.
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Francis Veber (1981) |
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Jean-Marie Poiré
(1982) |
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Pierre
Richard and Gérard Depardieu make a stunning comic duo in this delicious
laugh-a-minute comic gem. Richard plays the unluckiest man in the
world in a familiar Veber farce.
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This
aggressive satire of the so-called "caring society" features great comedy
from the Equipe du Splendid. Gérard Jugnot plays a
hacked off Father Christmas and Christian Clavier a man-hungry transvestite.
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Claude Zidi (1984) |
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Coline Serreau (1985) |
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Philippe
Noiret and Thierry Lhermitte play two crooked law enforcers in this outrageous
satire on police corruption. Stylish and witty, this cult classic
is one of Claude Zidi's best films.
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The
original "3 Men and a Baby" was this hilarious satire on fatherhood and
modern living. It proved to be a staggering box office success in
France.
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Jean-Pierre Jeunet et Marc
Caro (1992) |
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Jean-Marie Poiré
(1993) |
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One
of the icons of French cinema in the 1990s, Delicatessen paints
a disturbing vision of the future, where people resort to canabalism and
the world is policed by frogmen. Brilliantly imaginative.
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This
hilarious farce featuring a time-travelling knight and his vassal proved
to be a huge box office success in France. Jean Reno and Christian
Clavier make this a comic tour de force.
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François Ozon
(1998) |
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Francis Veber (1998) |
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All
is not quite what it seems in cosy middle class suburbia. Behind
the chintz curtains there are murderous dreams and dark fantasies.
And all because of a sinister white rat...
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The
film version of Francis Veber's long-running stage play proved to be a
major box office success in France. The scintillating dialogue and
sparkling performances are to be savoured.
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Eric Rohmer (1998) |
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Agnès Jaoui (2000) |
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The
final film in Rohmer's "Four Seasons" cycle is both a melancholic and uplifting
work, in which a middle-aged woman is subjected to the match-making tendencies
of her well-meaning friends.
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Jean-Pierre
Bacri attempts to breach the cultural divide in this sophisticated comic
farce. With great scripting and acting, this was one of the film
highlights of the year 2000.
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Dominik Moll (2000) |
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Jean-Pierre Jeunet (2001) |
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This
superlative black comedy consists of an extraordinary sequence of comic
situations. Sergi López is both enchanting and disturbing as the
friend who just can't help doing a good turn.
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This
fairytale Parisian romance was a worldwide success, thanks to its surreal
comic touches, distinctive photography and, most of all, Audrey Tautou.
A magical film.
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Alain Chabat (2002) |
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François Ozon
(2002) |
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Asterix
and Obelix make a triumphant return to French cinema, only to be outstaged
by popular television comedian Jamel Debbouze. 15 million spectators
turned out for this high budget romp, so it can't be all bad.
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Eight
classy women are lodged together in an isolated mansion. One of them
is a killer, but can any of them avoid breaking into song? This hugely
entertaining comedy thriller is so seductive that you just have to watch
it again...
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Buy DVDs of French comedy classics...
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