Summary
After her second husband, Philippe de Plessis-Bellières, has been killed in battle,
the influential marquise Angélique withdraws from court life to look after her
children. Her retirement is short-lived, however. The King of France, Louis
XIV, summons her to fulfil an essential mission of state: she must charm the Persian ambassador
into signing a vital pact with France. When the King offers to restore to her the
estate of her first husband, Joffrey de Peyrac (executed for sorcery), Angèlique
accepts, but reluctantly…
Review
The third in the series of five films adapted from the stories by Anne et Serge Golon
sees Angélique torn between her loyalties to her state (whom she must serve to
safeguard her children’s future) and her first husband, whom she believes to be
still alive. Whilst the sentiment is steeped a little high, strong performances, particularly
from Michèle Mercier as Angélique, Sami Frey as the Persian Ambassador and
Jacques Toja as Louis XIV, prevents this from spoiling an otherwise faultless entry in
the Angélique series.
The high production values which we associate with French historical dramas are evident
for all to see, with sumptuous spacious sets and impressive costumes. The spicy
mix of dangerous court intrigue and romantic liaisons, with grisly deaths and mildly erotic
love scenes, makes this an uncompromisingly adult film (at least for a 1960s audience).
Whilst there are a few action scenes, this film is more restrained than the others in
the series. Whilst the ending feels like something of an anti-climax, it does encourage
the viewer to look forward to the next film in the series.
© James Travers 2000
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