Films francais
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Cyrano de Bergerac
1990 History Drama / Romance
 
Credits
  • Director: Jean-Paul Rappeneau
  • Script: Jean-Claude Carrière, Jean-Paul Rappeneau, based on the play by Edmond Rostand
  • Photo: Pierre Lhomme
  • Music: Jean-Claude Petit
  • Cast: Gérard Depardieu (Cyrano De Bergerac), Anne Brochet (Roxane), Vincent Perez (Christian de Neuvillette), Jacques Weber (Comte De Guiche), Roland Bertin (Ragueneau), Philippe Morier-Genoud (Le Bret), Pierre Maguelon (Carbon de Castle-Jaloux), Josiane Stoléru (The Duenna), Anatole Delalande (The Child), Alain Rimoux (The Father), Philippe Volter (Vicomte de Valvert), Jean-Marie Winling (Lignière)
  • Country: France
  • Language: French
  • Runtime: 137 min
 
 
 
Summary
The popular swordsman and poet, Cyrano de Bergerac harbours a deep love for his cousin, Roxanne.  However, his features are deformed by a large nose which, he fears, will ruin any chance of gaining her affections.  Roxanne is herself in love with another soldier, Christian, but he lacks wit and conversation.  Realising his suit is lost, Cyrano offers to help Christian to win Roxanne by writing passionate love letters.  However, Roxanne begins to love the soul behind the letters, believing this to be Christian, not Cyrano...

Review
In one of the best and most spectacular French film of the 1990s, Jean-Paul Rappeneau manages to pull of the definitive film version of the Cyrano de Bergerac tale.  From start to finish, this is a lavish, emotionally charged tour de force, which succeeds at so many levels that it just has to be considered a masterpiece of modern cinema.  Not content with being just a romantic story of unrequited love, the film capitalises magnificently on the humour and swash-buckling adventure that the scenario evokes, making this a well-rounded and satisfying piece of entertainment.

The greatest plaudit must go to Gérard Depardieu who, from the outset, establishes himself firmly as the definitive Cyrano de Bergerac.  With his bear-like physique and voice that is alternately booming and immeasurably gentle, he is perfect for the part, a modern day romantic hero in the kind of role he plays best.   Few would begrudge him his best actor award at Cannes for this part.

Despite his towering performance, Depardieu makes space for his supporting actors Vincent Pérez and Anne Brochet, who both make a touching contribution to the film.   Jacques Weber also offers a notable performance as Cyrano’s arch-enemy, the Comte de Guiche.

Surprisingly for a modern film, this film adheres very closely to the theatrical form, most notably in its structure and dialogue.  It achieves this without appearing confined or stagy by setting the drama in magnificently well-constructed spacious sets (including stunning location sets), beautifully lit and photographed.   The result is as impressive as a sumptuous action movie, but with the emotional drive and sophistication of a great theatrical performance.

On its release in 1990, the film enjoyed a staggering success across the world.  It was an instant hit in France, winning 10 cesars, and it remains one of the most successful French films to be released in the United Kingdom.

© James Travers 2000

 

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