L'Ennemi public no 1
1953 Comedy   
 
Credits
  • Director: Henri Verneuil
  • Script: Michel Audiard, Max Favalelli, Jean Manse
  • Photo: Armand Thirard
  • Music: Raymond Legrand, Nino Rota
  • Cast: Fernandel (Joe Calvet), Zsa Zsa Gabor (Lola la Blonde), Louis Seigner (Le directeur de la prison), David Opatoshu (Slim le Tueur), Alfred Adam (Le shérif), Jean Marchat (L'attorney general), Tino Buazzelli (Parker), Carlo Ninchi (Nick), Arturo Bragaglia (Jack le Caissier), Paul Barge (Le gardien-chef), Bob Ingarao (Le chef de la police), Nicole Maurey (Peggy), Saturnin Fabre (W.W. Stone), Paolo Stoppa (Tony Fallone)
  • Country: France
  • Language: French
  • Runtime: 105 min; B&W
  • Aka: L'Ennemi public numéro un; Public Enemy Number One; The Most Wanted Man
 
 
 
Summary
Having lost his job in a New York department store on account of his advanced myopia, Joe Calvet decides to cheer himself up with a visit to the cinema.  When he leaves the theatre, he walks out with the coat of another man, who happens to be a member of a notorious band of gangsters.  When Joe pulls a gun out of the pocket of the coat, he is arrested and, mistaken as the gangsters’ boss, sent to prison.  One of the gangsters, an attractive blonde named Lola, sees an opportunity to take control of her band of crooks and killers.  But first, her gangster associates must break into the prison and rescue Joe….

Review
Jules Dassin was the man who was originally slated to direct Fernandel in this lavish gangster film parody.  When he was unable to return to the United States to shoot the film’s exterior locations scenes, he was replaced by Henri Verneuil, who had previously worked with Fernandel on a number of occasions.  Verneuil succeeds in evoking the essence of the American gangster film, whilst also ensuring that the film would have an appeal to a mainstream French audience.  With its impressive night-time city sequences, atmospheric score by Nino Rota and set piece action scenes, L'Ennemi public no 1 sometimes appears more like a serious homage to American film noir than a parody, although the presence of a certain horse-faced comedian easily shatters that illusion.

As ever, Fernandel gives great entertainment value as the hapless innocent and makes the most of Michel Audiard’s witty dialogue - although he is very nearly out-staged by David Opatoshu who, as the gangster Slim, has some of the funniest material.  Generally, the acting is of much higher calibre than one would expect in a French comedy of this era, and there’s the beautiful Zsa Zsa Gabor to bring a touch of Hollywood-style glamour to the proceedings.   The film’s only disappointment is its plot – with inspiration obviously lacking in the second half, the film loses momentum and just seems to peter out.  Otherwise, this is an attractive and entertaining send-up of one of cinema’s best-loved genres.

© James Travers 2007


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