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Les Patriotes
1994 Thriller
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Credits
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Director: Eric Rochant
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Script: Eric Rochant
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Photo: Pierre Novion
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Music: Gérard Torikian
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Cast: Yvan Attal (Ariel Brenner),
Richard Masur (Jeremy Pelman),
Allen Garfield (Eagleman),
Yossi Banai (Yossi),
Nancy Allen (Catherine Pelman),
Maurice Bénichou (Yuri),
Emmanuelle Devos (Rachel),
Hippolyte Girardot (Daniel),
Moshe Ivgy (Oron),
Sandrine Kiberlain (Marie-Claude),
Bernard Le Coq (Bill Haydon),
Christine Pascal (Laurence),
Jean-François Stévenin
(Remy Prieur),
Dan Toren (Ran Ostrovitch),
Elisabeth Macocco (Brenner's mother),
Ezra Kafri (3rd instructor),
Rami Danon (Pinkhas),
Joe El Dror (Igal),
Modi Bar-On (Ben),
Makram Khoury (Barak),
Jack Widerker (American hotel Tel Aviv),
Ashley Turlure (Lisa),
Peter Freistadt (Minister Israel),
Gedalia Besser (Mossad chief),
Ghazy Younès (Remy's colleague),
Dan Torjman (Toby)
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Country: France
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Language: French
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Runtime: 144 min
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Aka: The Patriots
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Summary
Shortly after his 18th birthday, Ariel Brenner leaves his home and family in France and
moves to Israel to train to be an agent for Mossad, the intelligence gathering service.
For his first assignment, Ariel returns to Paris to try to corrupt a man who is involved
with the sale of atomic energy technology to the Middle East. When this mission
fails, Ariel contacts a Jewish American, Jeremy Pelman, who considers it an honour to
hand over secrets to Mossad. When Pelman is betrayed by his Israeli paymasters,
Ariel becomes disillusioned with the cause he has devoted himself to.
Review
Eric Rochant’s third full-length film is this ambitious big-budget thriller-drama which
explores the morally dubious activities of the Israeli intelligence agency, Mossad, in
the 1980s. As in Rochant’s two previous films, Yvan Attal takes the leading role,
giving a convincing portrayal of a young man whose idealism lures him into working for
Mossad and who ends up questioning whether he has done the right thing. It is an
engaging, sometimes shocking film, but it doesn’t perhaps have the depth and impact that
a serious political thriller warrants. The film’s uncompromising depiction of Mossad’s
methods – which would appear to be on a par with those of the CIA – is unlikely to curry
favour with many Jewish sympathisers. The same applies to its provocative tagline: "Manipulation
is our business."
© James Travers 2006
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