Films francais
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Mélodie en sous-sol
1963 Crime / Drama
 
Credits
  • Director: Henri Verneuil
  • Script: Michel Audiard, Peter Fernandez, Zekial Marko, Albert Simonin, based on the novel "The Big Grab" by John Trinian
  • Photo: Louis Page
  • Music: Michel Magne
  • Cast: Jean Gabin (Charles), Alain Delon (Francis Verlot), Viviane Romance (Ginette), Carla Marlier (Brigitte), Maurice Biraud (Louis Naudin), Claude Cerval (Le commissaire de police), Henri Virlojeux (Mario), Jean Carmet (Barman), José Luis de Villalonga (Mr. Grimp), Germaine Montero (Mme. Verlot), Rita Cadillac (Liliane), Anne-Marie Coffinet (Marcelle), Jimmy Davis (Sam), Dominique Davray (Léone), Dora Doll (Countess Doublianoff), Georges Wilson (Walther)
  • Country: France
  • Language: French
  • Runtime: 103 min; B&W
  • Aka: Any Number Can Win; Anyone Can Win; Big Grab; The Big Snatch
 
 
 
Summary
After a five year stretch in jail, an ageing crook, Charles, decides to carry out one final grand robbery to pay for a comfortable retirement.  He enlists the help of a younger man, Francis, whom he met in jail, to rob the casino at Palm-Beach in Cannes.  After meticulous preparations, they manage to lay their hands on 10 million Francs.  Then it all seems to go wrong...

Review
This is a well-made and satisfying example of the popular French crime thriller.  It was directed by Henri Verneuil, who had a reputation for making popular films with a quality feel.  His gangster films were particularly highly rated, including the popular Le Clan des Siciliens (1969) and Peur sur la ville (1975).

This is the first of two films in which acting legend Jean Gabin is cast opposite Alain Delon (the second being Le Clan des Siciliens).  The pairing doesn’t quite work here – Gabin’s strong presence almost reduces Delon to a supporting role which the latter is clearly not suited for (and probably resented).

However, a fine script from the awesome writing team Simonin-Audiard and Verneuil’s masterful direction makes this an impressive example of its genre, even if the plot is a little all too familiar.

© James Travers 2001


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