Films francais
    We have moved to: www.filmsdefrance.com     
 
Tire au flanc
1928 War / Comedy
 
Credits
  • Director: Jean Renoir
  • Script: Jean Renoir, André Cerf, Alberto Cavalcanti, Claude Heymann, based on a stage play by André Mouezy-Eon and André Sylvane
  • Photo: Jean Bachelet
  • Cast: Georges Pomiès (Jean Dubois), Michel Simon (Joseph Turlot), Fridette Fatton (Georgette), Félix Oudart (Col. Brochart), Jeanne Helbling (Solange), Kinny Dorlay (Lili), Jean Storm (Lieut. Daumel), Paul Velsa (Caporal Bourrache), Manuel Raaby (L'adjudant), Louis Zellas (Muflot), Catherine Hessling (l'institutrice au bois)
  • Country: France
  • Language: French
  • Runtime: 120 min; B&W; silent
  • Aka: The Sad Sack
 
 
 
Summary
By an odd stroke of fate, the bourgeois Jean Dubois d’Ombelles and his valet Joseph Turlot end up having to serve their military service at the same time, in the same barracks.  Neither man is particularly well-suited for army life and a series of disasters naturally ensues.  Jean, who sees himself as a poet, is as inept at becoming a soldier as he has been in his attempts to court his cousin, Solange.   Joseph is hardly any better.  Having disgraced themselves in front of their fellow soldiers and their commanding officer, Colonel Brochart, Jean and Joseph have one last chance to redeem themselves.  They will provide the entertainment at the impending regimental party...

Review
Jean Renoir’s most overtly comical and anarchistic film, Tire au flanc is the definitive comedy of army life, a popular subject at the time (stemming most probably from the unpopularity of military service).  Noticeably less restrained and less technically accomplished than Renoir’s other silent films, it is clear that the director’s main preoccupation here was to entertain.  And, whilst many of the jokes are pretty laboured and dated by today’s standards, it is not hard to see why this film would have been appreciated by a 1920s audience.

Much of the comedy in the film was improvised, giving it a sense of unpredictability and a great sense of fun.  The film marks Jean Renoir’s first collaboration with Michel Simon (who appears incredibly young and lively in this film).   Largely as a result of Renoir’s support, Simon would become one of the most sought after actors in French cinema in the 1930s and the following decades.

The idea of partnering a well-to-do man with his valet allowed Renoir to explore one of his favourite themes, that of breaking down artificial barriers between different social classes.  Here, this subject is treated comically, but in his later works, Renoir would develop the idea more seriously, giving it a far more humanist perspective.  The best example of this is in his 1937 masterpiece, La Grande illusion.

© James Travers 2004

 

Buy this film: