France’s most enigmatic actor, Alain
Delon, came from very humble origins. He was born in Sceaux, France, in 1935, and
led a troubled and rebellious childhood. His parents separated when he was four
and he was put into the care of foster parents who lived next to a prison. He re-joined
his mother when she re-married, serving an apprenticeship as a butcher, before enrolling
in the French marines.
After a posting in Indochina where he saw
active service, Delon returned to France, working as a porter and waiter in Paris.
During this time, he made friends with aspiring young actors (including Jean-Claude Brialy)
through whom he would meet Yves Allégret, the film director who gave him his first
acting job, a small part in the 1957 film Quand la femme s'en mèle.
He then landed another small role in Marc Allégret’s film Sois belle et
tais-toi, appearing along side Jean-Paul Belmondo, an actor whose popularity would
rival Delon’s in the following decade.
Delon’s first major role was in the
1958 film Christine. Whilst making this film he met and fell in love with
Romy Schneider, with whom he would have a five year engagement. Stardom followed
when Delon played the lead role in René Clement’s popular thriller, Plein
Soleil, in 1959. This film established Delon as the ice-cold yet angelically
handsome criminal type, a stereotypical image he would find very difficult to break away
from in future years.
It was at this time that he became a close
friend of the celebrated Italian director Luchino Visconti. Delon appeared in Visconti’s
Paris production of the John Ford play Dommage qu'elle soit une putain, which ran
for 8 months to great acclaim. Visconti offered Delon a lead part in his celebrated film
Rocco et ses frères, which won the Prix Spécial du Jury at the Venice
film festival. In 1963, Delon starred in another Visconti film, Le
Guépard, which won the Palme d’Or at Cannes. Further success
came when the actor starred in Michelangelo Antonioni’s film L’Eclisse
and Henri Verneuil’s Mélodie en sous-sol (appearing opposite Jean
Gabin).
In the late 1960s and early 1970s, after
an abortive attempt to make a name for himself in Hollywood, Delon became a rising star
in French cinema, growing ever popular with the public. He was increasingly cast
as tough, taciturn gangsters or detectives, in such films as Jean-Pierre Melville’s
Le Samouraï and Le Cercle Rouge, Verneuil’s Le Clan des Siciliens
, and Jacques Deray’s Borsalino (in which he co-starred with Jean-Paul
Belmondo, by now his established big screen rival). It was in Le Samouraï
that Delon appeared along side his then wife, Nathalie, who bore him his first son.
In the mid-1970s, the actor’s career
began to suffer a gradual decline, which was partly due to some excessive negative publicity
in the press. This revolved mainly around his perceived association with criminal
gangs and his supposed complicity in the murder of his bodyguard. Delon was also
severely lambasted when he expressed sympathies for extreme right-wing politics.
The actor would continue to appear in films,
most notably in Monsieur Klein, which won the best film and best director Cesars
in 1976, and which was arguably Delon’s best acting performance. However,
the actor no longer enjoyed the adulation of the public and the critics which he had been
able to command in the previous decade.
As his acting career waned, Delon would turn
his attention to more fruitful activities He formed his own production company,
making a number of successful films in which he starred. In 1978, he founded his
own goods company “Alain Delon Diffusion SA”, marketing perfumes, leather
goods, fine wines, even spectacles, all over the world. Being a keen sports enthusiast,
he dabbled in horse-racing and organised boxing matches. He is also a famously passionate
collector of art. In the 1980s, Alain Delon became a successful business man and
amassed a substantial personal fortune, although he was often noted for his ruthlessness
(he took his own son to court when he attempted to infringe his own brand).
In the 1980s, Alain Delon the Actor became
Alain Delon the Director. He directed two films, both thrillers in which he took
the starring role:
Pour la peau d'un flic (1981)
and
Le
Battant (1983).
After a string of box office disasters in the 1980s and 1990s, culminating in the unexpected
failure of Patrice Leconte’s film Une Chance sur deux, Alain Delon announced
his decision to give up acting in 1997.
Alain Delon’s relationship with his
public and the media has been ambivalent and often hostile. However, few can deny that,
in his heyday, he was the most popular actor in France and an international celebrity.
He retains a strong fan following and is still highly regarded by many. In
recognition of his exceptional contribution to French culture, he was awarded the Legion
of Honour in 1990.
© James Travers
2003
|