A
film by John Huston, Val Guest, Ken Hughes, Robert Parrish and Joseph McGrath,
after the Ian Fleming novels. Music by Burt Bacharach. Avec
Peter Sellers (Evelyn Tremble), David Niven (Sir James Bond), Ursula Andress
(Vesper Lynd), Orson Welles (Le Chiffre), Joanna Pettet (Mata Bond), Daliah
Lavi (The Detainer), Woody Allen (Jimmy Bond), Deborah Kerr (Agent Mimi),
William Holden (Ransome, CIA), Charles Boyer
(Legrand, Cinquieme Bureau), John Huston (McTarry, M), Kurt Kasznar (Smernov,
KGB), George Raft (Himself),
Jean-Paul Belmondo
(French Legionnaire), Terence Cooper (Cooper). 131 min; score 6/10.
Aka: Charles K. Feldman's Casino Royale.
Against
his will, the original James Bond is brought out of retirement to foil
a dastardly plot by SMERSH, an enemy organisation run by the evil Dr Noah.
In a desperate bid to thwart their enemies, the British secret service
renames its remaining agents 007, including Bond’s daughter, Mata.
They also recruit a fumbling baccarat expert Evelyn Tremble to take on
the villainous Le Chiffre at the Casino Royale. Where will it all
end?
The
James Bond films are a ripe target for parody, but whilst Casino Royale
manages
to pull off some of the obvious jokes, it is far from satisfactory overall.
The film suffers obviously from talent overload, with no less than 5 directors
and 5 script writers and a veritable cavalcade of star names, including
Peter Sellers, David Niven, Woody Allen and Ursula Andress. As a
result, the film is totally directionless, a confused, disorganised mess,
which many Bond enthusiasts are keen to forget. Also unpardonable
is the fact that leading French actor Jean-Paul Belmondo should end up
with such a small part in the film: star billing for a twenty second appearance,
right at the end of the film!
Despite
its obvious faults, this is a film which it is actually quite difficult
to dislike. From the start, the film almost seems to realise it is
going to fail, and so it soon ends up laughing at itself. It is this
typically British self-deprecatory sense of fun which gives the film sufficient
charm for it to be watchable. There are also a few genuinely
funny moments, although these tend to get lost in the rambling, confused
plot. (The first thirty minutes of the film is almost totally unfathomable).
The
film’s strongest selling point has to be Burt Bacharach’s racy score, played
Herb Alpert and his Tijuana Brass band, somewhat over-used but always a
pleasure to listen to. If the whole film had been of a similar calibre,
Casino
Royale would probably be regarded as a classic, rather than a clumsy
attempt to parody one of British cinema’s most popular film series.
|
|
|