Credits Director:
Jean-Luc
Godard
Script:
Jean-Luc
Godard
Photo:
Blaise Bauquis, Philippe Benoît, Caroline Champetier, Laurent Hincelin,
Julien Hirsch and Charly Huser
Music:
Heinz Holliger
Cast:
Gérard
Depardieu (Simon Donnadieu), Laurence Masliah (Rachel Donnadieu), Bernard
Verley (Abraham Klimt), Roland Blanche (The Teacher), Marc Betton (The
Doctor), François Germond (The Pastor), Jean-Louis Loca (Max Mercure)
Runtime:
95 min
Aka:
Alas
for Me; Oh, Woe Is Me
Summary At a Swiss lakeside resort, a book publisher investigates
a mysterious tale. The story goes that a god-like being entered the
body of a man, Simon, to experience physical love with his wife, Rachel.
Did this actually happen or is Rachel just covering up her infidelity to
Simon?
Review This film is a modern retelling of the famous Greek legend
where the god Zeus assumes human form to seduce a mortal woman by impersonating
her husband. As the film's gentle introduction suggests, through
a simple parable, this is a film which explores the disturbing and profound
issue of what human existence is for in a godless universe.
This
is probably Godard’s least accessible film and it would be easy to dismiss
it as confused, incoherent nonsense. Certainly, it is not an easy
or comfortable film to watch. There is no strong underlying narrative,
all of the principal characters are strangely detached and underdeveloped,
and some of the quirky Godardisms (such as the voice of the mysterious
god-like being, reminiscent of the computer in Alphaville) are a
little off-putting. Despite that, this remains a fascinating and
profound work of cinema which further confounds the enigma that is Jean-Luc
Godard.
This
is probably one of those films which you have to watch at least five times
to appreciate fully. But, for the patient, it is a film worth seeing.
It broaches themes which are major concerns for society, indeed for humanity,
themes which have growing importance as our world becomes more mechanised
and atheistic. Human existence has some meaning – must have some
meaning – but in a universe where there is no God, where mankind has the
power to explain so much, what can that meaning be? It is a question
which this film scarcely begins to answer, but it is all the more remarkable
for what it does manage to say, because so few other film directors are
prepared to venture down this avenue. |
|
Buy this film:
|
|