Jeanne la Pucelle I - Les batailles
1994 History / Drama   
 
Credits
  • Director: Jacques Rivette
  • Script: Pascal Bonitzer, Christine Laurent, Jacques Rivette
  • Photo: William Lubtchansky
  • Music: Jordi Savall, Guillaume Dufay
  • Cast: Tatiana Moukhine (Isabelle Romée), Sandrine Bonnaire (Jeanne d'Arc), Jean-Marie Richier (Durand Laxart), Baptiste Roussillon (Baudricourt), Jean-Luc Petit (Henri Le Royer), Bernadette Giraud (Catherine Le Royer), Jean-Claude Jay (Jacques Alain), Olivier Cruveiller (Jean de Metz), Benjamin Rataud (Bertrand de Poulengy), Cyril Haouzi (Jean de Honnecourt), Réginald Huguenin (Colet de Vienne), Patrick Adomian (Richard l'archer), Nicolas Vian (Julien), André Marcon (Charles, Dauphin de France), Jean-Louis Richard (La Trémoille), Marcel Bozonnet (Regnault de Chartres), Didier Sauvegrain (Raoul de Gaucourt) Jacques Rivette (Le prêtre)
  • Country: France
  • Language: French
  • Runtime: 160 min
  • Aka: Joan the Maid 1: The Battles
 
 
 
Summary
Upon hearing a message from God, a young French maid, Jeanne, feels compelled to leave her home in Domremy.    She finally manages to get an audience with Charles, the dauphin of France, and she persuades him that it is her destiny to lead the French to victory against the English.   Reluctantly, Charles puts her in charge of his troops and, at a decisive battle, Jeanne’s courage and faith in God win her a first historic victory.

Review
This is the first part of Jacques Rivette’s epic six-hour long film adaptation of the Joan of Arc story.  Whilst not in the league of Carl Dreyer’s 1928 masterpiece La Passion de Jeanne d'Arc, it is nonetheless a compelling and artistically pleasing entry in the ever-growing catalogue of Joan of Arc films.

The film stars Sandrine Bonnaire who, despite being clearly too old for the part, gives a spirited and compelling performance, imbuing her character, and the film, with an intense and poignant humanity.

This first part of the film is concerned with the battles which Joan of Arc led against the English, concluding with her arrest after the defeat at Orleans.  Although less spectacular than Luc Besson’s 1999 Joan of Arc film, the film is far more watchable, primarily because it gives greater weight to characterisation and is less concerned with creating a spectacle.

© James Travers 2002


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