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Credits
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Summary
At the time of the Nazi occupation of France, Bernard Granger joins a theatre company
in Paris managed by Marion Steiner. Marion is the wife of a famous
stage director, the Jew Lucas Steiner, who is hiding in the cellars of
the theatre. As Marion and Bernard rehearse Lucas' latest play, the
two actors become attracted to each other, although Marion is determined
to stay faithful to her husband.
Review
Despite strong performances from Depardieu and Deneuve, Le dernier metro is not
quite in the league of Truffaut's more memorable films. The repetition of
the rehearsal scenes and the claustrophobic nature of the setting (virtually
the entire film taking place within the theatre) weigh down a film that
feels somewhat over-long and lacking in content.
Surprisingly, the presence of Nazi soldiers conveys little sense of menace. If anything, the threat to Lucas Sterner, a Jew hiding in Paris, is played down. Some nice comic touches add some relief - such as Depardieu being rejected by a lesbian - but the film still feels slow and plodding. Truffaut's views on the politics of this period of history can perhaps be gleaned from the script and that is probably the most interesting element of the film. The film was a welcome success for Truffaut, coming after the flop La chambre verte and the lack lustre L'amour en fuite. For the initial release in 1980, cinema bookings were very respectable in both France and the United States, making this Truffaut's last great commercial success. © James Travers 2000
See also: Buy films with Gérard Depardieu Buy films with Catherine Deneuve More about the French New Wave |
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