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Paris brûle-t-il?
1966 Drama / War
Credits
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Director: René Clément
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Script: Larry Collins, Dominique LaPierre, Gore Vidal, Francis Ford Coppola, Marcel Moussy, Beate von Molo, Jean Aurenche, Pierre Bost, Claude Brulé
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Photo: Marcel Grignon
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Music: Maurice Jarre
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Cast: Jean-Paul Belmondo (Pierrelot), Charles Boyer (Docteur Monod),
Leslie Caron (Françoise Labé), Jean-Pierre Cassel (Lieutenant Henri Karcher),
George Chakiris (GI in Tank), Bruno Cremer (Colonel Rol Tanguy),
Claude Dauphin (Colonel Lebel), Alain Delon (Jacques Chaban-Delmas),
Kirk Douglas (Gen. George S. Patton Jr.), Pierre Dux (Cerat),
Glenn Ford (Lt. Gen. Omar N. Bradley), Gert Fröbe (General Dietrich von Choltitz),
Daniel Gélin (Yves Bayet), Georges Géret (Baker),
Hannes Messemer (General Jodl), Harry Meyen (Lieutenant von Arnim),
Yves Montand (Sgt. Marcel Bizien), Anthony Perkins (Sgt. Warren),
Michel Piccoli (Edgar Pisani), Wolfgang Preiss (Ebernach),
Claude Rich (General Leclerc), Simone Signoret (Patronne du bistrot),
Robert Stack (Brig. General Wm L. Sibert), Jean-Louis Trintignant (Capitaine Serge),
Orson Welles (Consul Raoul Nordling),
Billy Frick (Adolf Hitler),
Colette Brosset,
Suzy Delair (Parisienne), Patrick Dewaere (A young resistant),
Michael Lonsdale (Debu-Bridel)
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Runtime: 175 min; B&W
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Aka: Is Paris Burning?
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Summary
August 1944. The French and American armies
are nearing the French capital. Hitler orders one of his generals
to retain control of the city or else destroy it. After the massacre
of some students, Colonel Rol incites the public to turn on the occupying
Nazis. As soon as the allied troops arrive, frenzied battles break
out all over the city...
Review
This monumental epic war film, which offers a graphic
portrayal of the 1944 Liberation, received a luke-warm reception with the
public when it was released in 1966. With an all star-cast featuring
some of the biggest names in French and American cinema, and some impressive
battle scenes, the film is weighed down by its own enormity. Despite
the length of the film (almost three hours), the action moves at a dizzying
pace and, with so many characters, it is difficult to follow the plot in
any detail.
Also
off-putting is having a large part of the film filmed in black and white.
One driving reason for this was that the French authorities would not allow
the original black, white and red Nazi flags to be flown anywhere in Paris
- so black, white and grey flags were used instead.
René
Clement’s most ambitious film is, for all its lavish budget and impressive
spectacle, sadly one of his least satisfying.
© James Travers 2000
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