Credits Director:
Jean Boyer
Script:
Jean
Boyer
Photo:
Christian Matras
Music:
Georges Van Parys
Cast:
Charles Trenet (Georges Gauthier dit “Papillon”), Jean
Tissier (Jules), André Alerme (Cartier, le directeur), Yvette
Lebon (Jeannette), Sylvie (Madame Gauthier), Jacqueline Porel (Madeleine),
Robert
Le Vigan (Monsieur Lormel), Fred Pasquali (Nicolas, l'imprésario)
Runtime:
110 min, B&W
Summary Georges Gauthier is an ordinary working class young man
who lives with his mother and sister but who dreams of becoming a professional
singer. His dreams are dashed when his sister elopes with her boyfriend,
leaving him to look after his mother. Then he gets an audition at
his local music hall. Impressed, the director engages him and Georges
embarks on a successful career, under the name “Papillon”. Fearing
that his fame and success will upset his mother, his girlfriend and his
best friend Jules, Georges must keep his singing career a secret – but
for how long…?
Review One
of the most famous and best-loved of French film musicals, Romance de Paris
is probably the closest that French cinema managed to get to recreating
the glamour and charm of the traditional Hollywood musical of the 1930s
and 40s. It was directed by Jean Boyer, the best (if not the only)
French director of the genre. The film musical is not well
represented in French cinema—lack of popular appeal for the genre meant
that there was never going to be the funds to compete with the Hollywood
films which starred the likes of Fred Astaire and Gene Kelly. However,
the few musical films which were made in France, mostly in the 1940s, are
generally well made and have a whimsical Gallic appeal.
With
its enchanting airs and loveable characters, Romance de Paris is one of
the most uplifting and enchanting films made in France in the 1940s.
This is quite remarkable when you consider that it was made during France’s
darkest hour (during the first year of Nazi occupation). It is a
good example of the light, diverting kind of film which was popular with
the French nation during this bleak period. The film’s popularity
was heightened by giving top billing to Charles Trenet, a stroke of genius
as it turns out.
The
ginger-haired, blue-eyed Trenet, the “fou chantant” was among the most
popular of singers at the time and today has an international reputation
as one of the great entertainers of the Twentieth Century. Romance
de Paris is one of the few films Trenet starred in, probably his best.
He is both convincing and enthralling as the typical working class lad
who has a lucky break and who is not corrupted by his success, a latter
day fairy tale which, despite its naïve simplicity has genuine warmth.
It is interesting to note how close his character in the film resembles
the real-life Trenet – both being passionate about music, both respecting
the bonds of friendship and family, both shunning needless publicity.
To a very good approximation, Charles Trenet and Georges Gauthier are one
in the same person.
Although
he is clearly the star of the film, Trenet works well with his co-stars
particularly Jean Tissier and Sylvie, who play respectively Trenet’s friend
and mother in the film. The three lead characters have a pleasing
rapport, and Tissier’s performance is very nearly as entertaining as Trenet’s.
Although
perhaps overshadowed by the monumental, more sober films which were made
at the time, Romance de Paris deserves its place in French cinematic history.
With its ceaseless optimism, it served as a cheerful antidote to the penury
of everyday life, a distraction from the grotesque business of war.
It is no less effective when watched today, a testament to the genius of
Jean Boyer and Charles Trenet.
©
James Travers 2002 |
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